What determines the overall organization of visual form in the works of painting, sculpture, and architecture? Artists have sometimes ventured practical rules of thumb, and mathematicians have looked for formulas that would prescribe ideal spatial relations between shapes. This companion to Rudolf Arnheim's classic,
Art and Visual Perception, shows how compositional form makes sense only when it utilizes visual symbols of the life experience that makes art meaningful.
Using a wealth of examples, Arnheim considers the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture.
"It is the balance between the precision of [Arnheim's] specific analyses and their participation in a larger order of principles that makes Power of the Center such a satisfying book."