This is a pioneering account of the transnational production of whiteness in the late nineteenth and early twentieth centuries. A work remarkable for both its international breadth and for its sensitivity to a local particularity, it is a model for the new global history. A powerful and sobering history, incisively and elegantly told.

Whoever had created Australia, white men were certain that 'this land of promise' belonged to them ...

At last a history of Australia in its dynamic global context. In the late nineteenth and early twentieth centuries, in response to the mobilisation and mobility of colonial and coloured peoples around the world, self-styled 'white men's countries' in South Africa, North America and Australasia worked in solidarity to exclude those peoples they defined as not-white--including Africans, Chinese, Indians, Japanese and Pacific Islanders. Their policies provoked in turn a long international struggle for racial equality.

Through a rich cast of characters that includes Alfred Deakin, WEB Du Bois, Mahatma Gandhi, Lowe Kong Meng, Tokutomi Soho, Jan Smuts and Theodore Roosevelt, leading Australian historians Marilyn Lake and Henry Reynolds tell a gripping story about the circulation of emotions and ideas, books and people in which Australia emerged as a pace-setter in the modern global politics of whiteness. The legacy of the White Australia policy still cases a shadow over relations with the peoples of Africa and Asia, but campaigns for racial equality have created new possibilities for a more just future.

Remarkable for the breadth of its research and its engaging narrative, Drawing the Global Colour Line offers a new perspective on the history of human rights and provides compelling and original insight into the international political movements that shaped the twentieth century.

Winner of the Ernest Scott Prize 2009

Winner of the Queensland Premier's Prize for History 2009

Winner of the Prime Minister's Prize for Non-Fiction 2009