In The Sonic Persona, Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation: This book presents a fundamental critique concerning recent sound theories and their anthropological concepts - and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses. I'm going to prove the impossible really exists. The Sonic Persona is a groundbreaking work. While most works pay lip service to thinking about the senses and the sensorium, Schulze actually mobilises these ideas to challenge the ways we think and talk about sound. While we have had a generation of thought about the impossibility of objectivity and what a thoughtful, subjective scholarship might look like, The Sonic Persona enacts that critique and forges a path for genuinely scholarly, rigorous subjective analysis. Anyone who wants to study sound, music, audiovisuality, or multimodal arts practices will have to read this book. Perhaps most importantly, they'll want to.