"This volume engages in a wide-ranging investigation of what speculation can mean and how, and what is at stake for artistic, curatorial critical and institutional practices in relating to their own speculative character"--
Marina Vishmidt is a writer, editor, and lecturer at Goldsmiths, University of London, where she convenes the Masters in Culture Industry. She is the author of Speculation as a Mode of Production and, with Kerstin Stakemeier, coauthor of Reproducing Autonomy: Work, Money, Crisis and Contemporary Art.
